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Tom Meagher is a senior editor. A veteran journalist, he joined The Marshall Project at its founding in 2014. Stories he edited at The Marshall Project have been honored with a National Magazine Award, two national Edward R. Murrow awards and more. As a reporter, his work has won an RFK Journalism Award, a Data Journalism Award from the Global Editors Network and the first human rights special award from Malofiej, honoring news graphics from around the world. He previously led an interactive team for the Digital First Media newspaper chain and was the data editor at the Newark Star-Ledger. He got his start in journalism covering night cops for a small daily paper in Kansas.
Phone 212-803-5257
Email tmeagher@themarshallproject.org
Twitter @ultracasual
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An illustration shows a brown, floating jury box against a blue background. There are 12 jurors sitting in the jury box, with two empty chairs on the left.
Life Inside June 14
A Criminal Justice Journalist Wrestles With Doubts in the Jury Box
A longtime journalist serving on a jury must weigh the flaws of the system against the holes in the gun and drug case he heard.
By
An illustration shows a line of correctional officers with their arms linked, in shades of gray, There's an opening in the line, which shows a correctional officer being protected and escorted away by two other officers, in shades of blue and purple.
Feature May 22, 2023
How a ‘Blue Wall’ Inside New York State Prisons Protects Abusive Guards
Records and interviews reveal a culture of cover-ups among corrections officers who falsify reports and send beating victims to solitary confinement.
By , and
Analysis May 19, 2023
How We Investigated Abuse by Prison Guards in New York
The Marshall Project examined 12 years of employee discipline data and hundreds of prisoner lawsuits.
By
Feature May 19, 2023
In New York Prisons, Guards Who Brutalize Prisoners Rarely Get Fired
Records obtained by The Marshall Project reveal a state discipline system that fails to hold many guards accountable.
By , and
Lance Lowry, who recently retired after 20 years as a corrections officer, outside the Huntsville Unit in Texas.
News November 1, 2021
As Corrections Officers Quit in Droves, Prisons Get Even More Dangerous
Fewer guards lead to more lockdowns, rising tensions and scant access to healthcare.
By , , , Mike Sisak and
During the 1971 uprising at Attica State Prison, prisoners wearing cloaks and football helmets, some of them with makeshift weapons, waited to negotiate their demands with state officials.
Looking Back September 14, 2021
Revisiting the Attica Riot in Real-Time 50 Years Later
The infamous 1971 prison revolt ended with a bloody police siege. We retell the story, minute-by-minute.
By and
A man from a nearby prison was shackled to the bed in a Rhode Island hospital while being treated with a ventilator for COVID-19 in the intensive care unit in December.
Coronavirus June 30, 2021
A Half-Million People Got COVID-19 in Prison. Are Officials Ready for the Next Pandemic?
People who live and work in prisons worry they remain vulnerable, even as life behind bars returns to business as usual.
By , and Claudia Lauer
Coronavirus June 24, 2021
A State-By-State Look at 15 Months of Coronavirus in Prisons
The Marshall Project and The Associated Press collected data on COVID-19 infections in state and federal prisons every week. See how the virus affected correctional facilities near you.
By The Marshall Project
Kareen Troitino, the corrections officer union president for FCI Miami, stands outside the federal prison on March 12, 2021.
One Year Later: The Pandemic Behind Bars March 15, 2021
“Hell No”: Correctional Officers Are Declining The Coronavirus Vaccine En Masse
Public health experts worry that high refusal rates could undermine efforts to control the pandemic inside and outside of prisons.
By AND Michael Sisak
Death Sentences February 10, 2021
What 120 Executions Tell Us About Criminal Justice in America
The Marshall Project tracked every execution in America for more than five years. For condemned people, the path to death grew longer, more winding and erratic.
By
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